Manga Market Report by Type (Printed, Digital), Genre (Action and Adventure, Sci-Fi and Fantasy, Sports, Romance and Drama, and Others), Audience (Children and Kids (Aged below 10 years), Teenagers (Aged between 10 to 16 years), Adults (Aged above 16 years)), Gender (Male, Female), Distribution Channel (Online, Offline), and Region 2024-2032

Manga Market Report by Type (Printed, Digital), Genre (Action and Adventure, Sci-Fi and Fantasy, Sports, Romance and Drama, and Others), Audience (Children and Kids (Aged below 10 years), Teenagers (Aged between 10 to 16 years), Adults (Aged above 16 years)), Gender (Male, Female), Distribution Channel (Online, Offline), and Region 2024-2032

Report Format: PDF+Excel | Report ID: SR112024A11735
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1 Preface

2 Scope and Methodology
2.1 Objectives of the Study
2.2 Stakeholders
2.3 Data Sources
2.3.1 Primary Sources
2.3.2 Secondary Sources
2.4 Market Estimation
2.4.1 Bottom-Up Approach
2.4.2 Top-Down Approach
2.5 Forecasting Methodology

3 Executive Summary

4 Global Manga Market - Introduction
4.1 Overview
4.2 Market Dynamics
4.3 Industry Trends
4.4 Competitive Intelligence

5 Global Manga Market Landscape
5.1 Historical and Current Market Trends (2018-2023)
5.2 Market Forecast (2024-2032)

6 Global Manga Market - Breakup by Type
6.1 Printed

6.1.1 Overview
6.1.2 Historical and Current Market Trends (2018-2023)
6.1.3 Market Segmentation
6.1.4 Market Forecast (2024-2032)
6.2 Digital
6.2.1 Overview
6.2.2 Historical and Current Market Trends (2018-2023)
6.2.3 Market Segmentation
6.2.4 Market Forecast (2024-2032)
6.3 Attractive Investment Proposition by Type

7 Global Manga Market - Breakup by Genre
7.1 Action and Adventure

7.1.1 Overview
7.1.2 Historical and Current Market Trends (2018-2023)
7.1.3 Market Segmentation
7.1.4 Market Forecast (2024-2032)
7.2 Sci-Fi and Fantasy
7.2.1 Overview
7.2.2 Historical and Current Market Trends (2018-2023)
7.2.3 Market Segmentation
7.2.4 Market Forecast (2024-2032)
7.3 Sports
7.3.1 Overview
7.3.2 Historical and Current Market Trends (2018-2023)
7.3.3 Market Segmentation
7.3.4 Market Forecast (2024-2032)
7.4 Romance and Drama
7.4.1 Overview
7.4.2 Historical and Current Market Trends (2018-2023)
7.4.3 Market Segmentation
7.4.4 Market Forecast (2024-2032)
7.5 Others
7.5.1 Historical and Current Market Trends (2018-2023)
7.5.2 Market Forecast (2024-2032)
7.6 Attractive Investment Proposition by Genre

8 Global Manga Market - Breakup by Audience
8.1 Children and Kids (Aged below 10 years)

8.1.1 Overview
8.1.2 Historical and Current Market Trends (2018-2023)
8.1.3 Market Segmentation
8.1.4 Market Forecast (2024-2032)
8.2 Teenagers (Aged between 10 to 16 years)
8.2.1 Overview
8.2.2 Historical and Current Market Trends (2018-2023)
8.2.3 Market Segmentation
8.2.4 Market Forecast (2024-2032)
8.3 Adults (Aged above 16 years)
8.3.1 Overview
8.3.2 Historical and Current Market Trends (2018-2023)
8.3.3 Market Segmentation
8.3.4 Market Forecast (2024-2032)
8.4 Attractive Investment Proposition by Audience

9 Global Manga Market - Breakup by Gender
9.1 Male

9.1.1 Overview
9.1.2 Historical and Current Market Trends (2018-2023)
9.1.3 Market Segmentation
9.1.4 Market Forecast (2024-2032)
9.2 Female
9.2.1 Overview
9.2.2 Historical and Current Market Trends (2018-2023)
9.2.3 Market Segmentation
9.2.4 Market Forecast (2024-2032)
9.3 Attractive Investment Proposition by Gender

10 Global Manga Market - Breakup by Distribution Channel 
10.1 Offline

10.1.1 Overview
10.1.2 Historical and Current Market Trends (2018-2023)
10.1.3 Market Segmentation
10.1.4 Market Forecast (2024-2032)
10.2 Online
10.2.1 Overview
10.2.2 Historical and Current Market Trends (2018-2023)
10.2.3 Market Segmentation
10.2.4 Market Forecast (2024-2032)
10.3 Attractive Investment Proposition by Distribution Channel 

11 Global Manga Market – Breakup by Region
11.1 North America
11.1.1 United States

11.1.1.1 Market Drivers
11.1.1.2 Historical and Current Market Trends (2018-2023)
11.1.1.3 Market Breakup by Type
11.1.1.4 Market Breakup by Genre
11.1.1.5 Market Breakup by Audience
11.1.1.6 Market Breakup by Gender
11.1.1.7 Market Breakup by Distribution Channel 
11.1.1.8 Key Players
11.1.1.9 Market Forecast (2024-2032)
11.1.2 Canada
11.1.2.1 Market Drivers
11.1.2.2 Historical and Current Market Trends (2018-2023)
11.1.2.3 Market Breakup by Type
11.1.2.4 Market Breakup by Genre
11.1.2.5 Market Breakup by Audience
11.1.2.6 Market Breakup by Gender
11.1.2.7 Market Breakup by Distribution Channel 
11.1.2.8 Key Players
11.1.2.9 Market Forecast (2024-2032)
11.2 Europe
11.2.1 Germany

11.2.1.1 Market Drivers
11.2.1.2 Historical and Current Market Trends (2018-2023)
11.2.1.3 Market Breakup by Type
11.2.1.4 Market Breakup by Genre
11.2.1.5 Market Breakup by Audience
11.2.1.6 Market Breakup by Gender
11.2.1.7 Market Breakup by Distribution Channel 
11.2.1.8 Key Players
11.2.1.9 Market Forecast (2024-2032)
11.2.2 France
11.2.2.1 Market Drivers
11.2.2.2 Historical and Current Market Trends (2018-2023)
11.2.2.3 Market Breakup by Type
11.2.2.4 Market Breakup by Genre
11.2.2.5 Market Breakup by Audience
11.2.2.6 Market Breakup by Gender
11.2.3.7 Market Breakup by Distribution Channel 
11.2.2.8 Key Players
11.2.2.9 Market Forecast (2024-2032)
11.2.3 United Kingdom
11.2.3.1 Market Drivers
11.2.3.2 Historical and Current Market Trends (2018-2023)
11.2.3.3 Market Breakup by Type
11.2.3.4 Market Breakup by Genre
11.2.3.5 Market Breakup by Audience
11.2.3.6 Market Breakup by Gender
11.2.3.7 Market Breakup by Distribution Channel 
11.2.3.8 Key Players
11.2.3.9 Market Forecast (2024-2032)
11.2.4 Italy
11.2.4.1 Market Drivers
11.2.4.2 Historical and Current Market Trends (2018-2023)
11.2.4.3 Market Breakup by Type
11.2.4.4 Market Breakup by Genre
11.2.4.5 Market Breakup by Audience
11.2.4.6 Market Breakup by Gender
11.2.4.7 Market Breakup by Distribution Channel 
11.2.4.8 Key Players
11.2.4.9 Market Forecast (2024-2032)
11.2.5 Spain
11.2.5.1 Market Drivers
11.2.5.2 Historical and Current Market Trends (2018-2023)
11.2.5.3 Market Breakup by Type
11.2.5.4 Market Breakup by Genre
11.2.5.5 Market Breakup by Audience
11.2.5.6 Market Breakup by Gender
11.2.5.7 Market Breakup by Distribution Channel 
11.2.5.8 Key Players
11.2.5.9 Market Forecast (2024-2032)
11.2.6 Others
11.2.6.1 Historical and Current Market Trends (2018-2023)
11.2.6.2 Market Forecast (2024-2032)
11.3 Asia Pacific
11.3.1 China

11.3.1.1 Market Drivers
11.3.1.2 Historical and Current Market Trends (2018-2023)
11.3.1.3 Market Breakup by Type
11.3.1.4 Market Breakup by Genre
11.3.1.5 Market Breakup by Audience
11.3.1.6 Market Breakup by Gender
11.3.1.7 Market Breakup by Distribution Channel 
11.3.1.8 Key Players
11.3.1.9 Market Forecast (2024-2032)
11.3.2 Japan
11.3.2.1 Market Drivers
11.3.2.2 Historical and Current Market Trends (2018-2023)
11.3.2.3 Market Breakup by Type
11.3.2.4 Market Breakup by Genre
11.3.2.5 Market Breakup by Audience
11.3.2.6 Market Breakup by Gender
11.3.2.7 Market Breakup by Distribution Channel 
11.3.2.8 Key Players
11.3.2.9 Market Forecast (2024-2032)
11.3.3 India
11.3.3.1 Market Drivers
11.3.3.2 Historical and Current Market Trends (2018-2023)
11.3.3.3 Market Breakup by Type
11.3.3.4 Market Breakup by Genre
11.3.3.5 Market Breakup by Audience
11.3.3.6 Market Breakup by Gender
11.3.3.7 Market Breakup by Distribution Channel 
11.3.3.8 Key Players
11.3.3.9 Market Forecast (2024-2032)
11.3.4 South Korea
11.3.4.1 Market Drivers
11.3.4.2 Historical and Current Market Trends (2018-2023)
11.3.4.3 Market Breakup by Type
11.3.4.4 Market Breakup by Genre
11.3.4.5 Market Breakup by Audience
11.3.4.6 Market Breakup by Gender
11.3.4.7 Market Breakup by Distribution Channel 
11.3.4.8 Key Players
11.3.4.9 Market Forecast (2024-2032)
11.3.5 Australia
11.3.5.1 Market Drivers
11.3.5.2 Historical and Current Market Trends (2018-2023)
11.3.5.3 Market Breakup by Type
11.3.5.4 Market Breakup by Genre
11.3.5.5 Market Breakup by Audience
11.3.5.6 Market Breakup by Gender
11.3.5.7 Market Breakup by Distribution Channel 
11.3.5.8 Key Players
11.3.5.9 Market Forecast (2024-2032)
11.3.6 Indonesia
11.3.6.1 Market Drivers
11.3.6.2 Historical and Current Market Trends (2018-2023)
11.3.6.3 Market Breakup by Type
11.3.6.4 Market Breakup by Genre
11.3.6.5 Market Breakup by Audience
11.3.6.6 Market Breakup by Gender
11.3.6.7 Market Breakup by Distribution Channel 
11.3.6.8 Key Players
11.3.6.9 Market Forecast (2024-2032)
11.3.7 Others
11.3.7.1 Historical and Current Market Trends (2018-2023)
11.3.7.2 Market Forecast (2024-2032)
11.4 Latin America
11.4.1 Brazil

11.4.1.1 Market Drivers
11.4.1.2 Historical and Current Market Trends (2018-2023)
11.4.1.3 Market Breakup by Type
11.4.1.4 Market Breakup by Genre
11.4.1.5 Market Breakup by Audience
11.4.1.6 Market Breakup by Gender
11.4.1.7 Market Breakup by Distribution Channel 
11.4.1.8 Key Players
11.4.1.9 Market Forecast (2024-2032)
11.4.2 Mexico
11.4.2.1 Market Drivers
11.4.2.2 Historical and Current Market Trends (2018-2023)
11.4.2.3 Market Breakup by Type
11.4.2.4 Market Breakup by Genre
11.4.2.5 Market Breakup by Audience
11.4.2.6 Market Breakup by Gender
11.4.2.7 Market Breakup by Distribution Channel 
11.4.2.8 Key Players
11.4.2.9 Market Forecast (2024-2032)
11.4.3 Others
11.4.3.1 Historical and Current Market Trends (2018-2023)
11.4.3.2 Market Forecast (2024-2032)
11.5 Middle East and Africa
11.5.1 Market Drivers
11.5.2 Historical and Current Market Trends (2018-2023)
11.5.3 Market Breakup by Type
11.5.4 Market Breakup by Genre
11.5.5 Market Breakup by Audience
11.5.6 Market Breakup by Gender
11.5.7 Market Breakup by Distribution Channel 
11.5.8 Market Breakup by Country
11.5.9 Key Players
11.5.10 Market Forecast (2024-2032)
11.6 Attractive Investment Proposition by Region

12 Global Manga Market – Competitive Landscape
12.1 Overview
12.2 Market Structure
12.3 Market Share by Key Players
12.4 Market Player Positioning
12.5 Top Winning Strategies
12.6 Competitive Dashboard
12.7 Company Evaluation Quadrant

13 Profiles of Key Players
13.1 Akita Publishing Co. Ltd.

13.1.1 Business Overview
13.1.2 Services Offered
13.1.3 Business Strategies
13.1.4 SWOT Analysis
13.1.5 Major News and Events
13.2 Archie Comic Publications Inc.
13.2.1 Business Overview
13.2.2 Services Offered
13.2.3 Business Strategies
13.2.4 SWOT Analysis
13.2.5 Major News and Events
13.3 Bilibili Comics Pte. Ltd.
13.3.1 Business Overview
13.3.2 Services Offered
13.3.3 Business Strategies
13.3.4 SWOT Analysis
13.3.5 Major News and Events
13.4 Futabasha Publishers Ltd.
13.4.1 Business Overview
13.4.2 Services Offered
13.4.3 Business Strategies
13.4.4 SWOT Analysis
13.4.5 Major News and Events
13.5 Good Smile Company Inc.
13.5.1 Business Overview
13.5.2 Services Offered
13.5.3 Business Strategies
13.5.4 SWOT Analysis
13.5.5 Major News and Events
13.6 Kadokawa Corporation
13.6.1 Business Overview
13.6.2 Services Offered
13.6.3 Business Strategies
13.6.4 Financials
13.6.5 SWOT Analysis
13.6.7 Major News and Events
13.7 Kodansha Ltd.
13.7.1 Business Overview
13.7.2 Services Offered
13.7.3 Business Strategies
13.7.4 SWOT Analysis
13.7.5 Major News and Events
13.8 Nihon Bungeisha Co. Ltd. (Media Do Co. Ltd.)
13.8.1 Business Overview
13.8.2 Services Offered
13.8.3 Business Strategies
13.8.4 SWOT Analysis
13.8.5 Major News and Events
13.9 Seven Seas Entertainment Inc.
13.9.1 Business Overview
13.9.2 Services Offered
13.9.3 Business Strategies
13.9.4 SWOT Analysis
13.9.5 Major News and Events
13.10 Shogakukan Inc. (Hitotsubashi Group)
13.10.1 Business Overview
13.10.2 Services Offered
13.10.3 Business Strategies
13.10.4 SWOT Analysis
13.10.5 Major News and Events

Kindly note that this only represents a partial list of companies, and the complete list has been provided in the report.

14 Global Manga Market - Industry Analysis
14.1 Drivers, Restraints, and Opportunities

14.1.1    Overview
14.1.2    Drivers
14.1.3    Restraints
14.1.4    Opportunities
14.1.5    Impact Analysis
14.2 Porters Five Forces Analysis
14.2.1    Overview
14.2.2    Bargaining Power of Buyers
14.2.3    Bargaining Power of Suppliers
14.2.4    Degree of Competition
14.2.5    Threat of New Entrants
14.2.6    Threat of Substitutes
14.3 Value Chain Analysis

15 Strategic Recommendations

16 Appendix

Manga Market Report by Type (Printed, Digital), Genre (Action and Adventure, Sci-Fi and Fantasy, Sports, Romance and Drama, and Others), Audience (Children and Kids (Aged below 10 years), Teenagers (Aged between 10 to 16 years), Adults (Aged above 16 years)), Gender (Male, Female), Distribution Channel (Online, Offline), and Region 2024-2032
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